Alright, time for part two - I've put this off long enough as it is, so let's not waste any more time!
[This is a two-part review - part one can be found here!]
R.TEE X ANDA (안다) - WHAT YOU WAITING FOR (뭘 기다기고 있어)
For those of you that don't know, I'm quite a fan of EDM - and that applies to K-Pop, too. R.Tee has done some fantastic stuff in the past; when he's not producing songs for YG (he's done quite a few of BLACKPINK's best title tracks, like "Playing With Fire" and "KILL THIS LOVE", actually), he's doing his own thing and making his own music. (Hell, he's even collaborated with EXID's Hani before - "We Got The World" is a fucking great song, too!) But just like a lot of other celebrities and male idols, he unfortunately had to enlist earlier this year. So, before that, he decided to go out with one last bang and release his collaboration with Anda, "What You Waiting For." Now, if you've never heard of Anda, let me just say that you've been missing out. She's got an incredibly unique voice and an undeniable sense of charisma, and she's definitely one of the better K-Pop soloists out there. She recently was signed to YG after leaving Amoeba Culture, and it looks like this is her first proper song under YG.
Artists aside, as for the song itself... yeah, um, wow. It's fucking phenomenal.
When it comes to EDM in K-Pop, I always have an apprehensive side; I'm always worried it'll veer more into mainstream pop, instead of sounding like an actual EDM, bigroom-inspired song. But when R.Tee was put into the equation, those worries flew RIGHT out the window for me. He's got a fantastic knowledge of the genre, and he certainly uses it to his advantage here. That drop had me reeling the first time I heard it. I wasn't sure what the song was going to build up to, and I wasn't entirely sure if Anda would suit it, but goddamn was I wrong. This song is explosive, to put it lightly - that bouncy melody line and the staccato bass in the drop really work wonders. "What You Waiting For" has a sense of gravitas and power to it, and at no point does it ever feel thin or flimsy - it's powerful, raucous EDM at its best. AND I LOVE IT. What's even more impressive is how it never loses its momentum, either!
Like I mentioned, I wasn't entirely sure if Anda would suit this sort of song, but she quickly changed my mind on that. She carries her usual charisma and energy in every line, and her vocal delivery is nothing less than amazing (as is usually the case for her). Her delivery actually ties in nicely to the lyrics, too, which are very impatient and demanding. She knows what she wants, and she's tired of waiting for the person she likes to turn around and tell her they like her. On the other hand, you could look at them as an encouragement to her crush to take the leap that's needed to start a relationship. They can feel one-sided in places, yes, but overall they're definitely interesting, as well as a little bit different.
How slow are you? You're tiring me out
Why are you so hesitant?
You and I, we already know all we need to know
Thankfully, we were lucky enough to get a dance video for this song as well - and it's just as good as the song itself.
I don't mean that on a choreography level - there's nothing incredibly mind-blowing or amazing about this choreo. It's relatively simple, but effective and hard to pull off. ESPECIALLY with those lifts. (Seriously, dynamic stuff like that should be included in K-Pop routines more often, it looks fantastic. I understand why it's not, but... yeah.) What REALLY blows me away about this routine is Anda herself. No, I'm not talking about that pair of twin backup dancers that everyone is fawning over in the comments. This is ANDA'S routine. She owns it. You can tell that the charisma she has is not just limited to her voice - she's a stellar performer, as well. From start to finish, she exudes stage presence and charm in a way that's very damn rare. Even though the choreography is nothing special, she makes it entertaining either way. She's a delight to watch.
And that is just another reason why this song is so damn amazing to me. It delivered in pretty much every way possible, and I still listen to it incredibly often. Don't be surprised if you see me mention this on my best list at the end of the year - it's looking like it'll be on that list, I'll say that much!
BLOCK B BASTARZ (블락비 바스타즈) - HELP ME
When it comes to subunits of popular groups, Block B Bastarz have always been one of my favourites. "Conduct Zero" was downright fucking fantastic, and "Make It Rain" was arguably even better - they're big, bombastic hip-hop fuelled songs that blew me away on first listen. I still listen to them, they're phenomenal. But it was clear from the teasers for their recent comeback that they were going to be trying something new, and a little more subdued. Not going to lie, I was worried, but out of the two songs they released, "Help Me" stands out the most. That's not to say I don't like "From Seoul" - I just wouldn't have a lot to say on it.
Between the two title tracks, "Help Me" has more of a traditional Bastarz sound. But just like the teasers indicated, it's heading in a very different direction sound-wise. It's still got hints of that bombast that we've had in the past with those booming synths and blocky violin chords, but there's something a little darker here than before - the bass guitar gives a great melodic lift (and a LOT of groove), but it's surrounded by very echoey 808 bass and subtle acoustic guitar notes to give a slower, darker vibe. The song very much switches between these two moods, going from bombast back to funky a number of times.
Even if I'm not a fan of that clunky trap section in the middle, the members themselves give great vocal performances that put the song's darker concept on display. Hell, their performances in the music video are great too. Now THAT was certainly fun to watch. If you're not good with blood I wouldn't recommend watching it, but this dark, almost action film-like concept really suits Bastarz well!
Even if I'm not a fan of that clunky trap section in the middle, the members themselves give great vocal performances that put the song's darker concept on display. Hell, their performances in the music video are great too. Now THAT was certainly fun to watch. If you're not good with blood I wouldn't recommend watching it, but this dark, almost action film-like concept really suits Bastarz well!
And nowhere is that darker concept more evident than in the lyrics, which... yeah, they're certainly weird. Whoever these lyrics are following is certainly a bit of a tormented soul, who's either stuck in a back and forth relationship, or - as the lyrics in the choruses suggest - may be doing some harm to their relationship thanks to alcohol or something of the sort. The back-and-forth in the lyrics certainly comes off as uneasy, but lyrics like this aren't seen in K-Pop all too often. They're certainly unique, and probably the most memorable part of the song when you take the time to find a good translation.
Lend me your body tonight, tonight I'm fucked up
I'm gonna sleep holding you
[...]
Can you come to me tonight? Help me, baby
Even though we didn't get too many music show stages, we did get a dance practice for the song.
And to be honest, it's nothing really to write home about. There's certainly some interesting moments - those staggered movements in the second verse look fantastic - but all in all, it's a fairly run of the mill choreography for the boys. It's the sort of thing they could probably do in their sleep at this point. But hey, it definitely suits the slower vibe of the song well! It's just not as complex or eye-catching as some other routines out there.
All in all, I do feel like this will be a comeback I'll end up forgetting about down the line. Yes, the song's got an interesting theme overall, the dance is okay, and the MV is pretty damn great, but it's just not... overly memorable, if you know what I mean. The annoying part is, I can't really figure out why. I am glad to see Bastarz experimenting a bit though, and I'm definitely excited to see what they do in the future.
BTS (방탄소년단) FT. HALSEY - BOY WITH LUV (작은 것들은 위한 시)
I shouldn't need to explain to you who BTS are at this point. Even if you're not a K-Pop fan, the chances are that you know who they are. And I'm going to be completely honest - I was a big naysayer of BTS for a while. As controversial as it may be for me to say this, their releases from "Boy With Luv" onward just... disappointed me. I adored them when they debuted - "N.O." is one of my favourite K-Pop songs ever for its lyrics alone - and I loved the hard hip-hop sound they were going for. But for a while, it felt like they were making music that just... didn't appeal to me in any way. However, when "Not Today" came out, I had a bit of hope again. And not gonna lie, most of BTS's songs that have been popular in the west have been... iffy, if I'm being honest. I don't feel like "DNA" does anything to stand out, and I ended up hearing "Fake Love" enough that it eventually irritated me. But I admittedly loved "Idol", and was excited to see what they'd do next.
And then they released "Boy With Luv", and... I didn't like it. Yeah, this song is a massive grower. If you don't like it initially, just let it take its time. Don't think about it too much, and just try to enjoy it. That's what songs like this are for! It's very much a laid-back, breezy summer song with TONS of energy and colour. The funky guitar melodies, the cymbal-heavy drum line, the tambourine as part of the pre-choruses... It's one hell of an entertaining song. And it's honestly a breath of fresh air to see BTS having so much fun - it's one of the reasons I ended up liking "Idol" so much. And yeah, Halsey doesn't really contribute much, but I feel like she did all she needed to here. BTS are so big at this point that this was bound to do well regardless of whether or not they had a guest star. The members have enough charisma and versatility to pull this concept off well - it hasn't hit for me in the past, but there's something about "Boy With Luv"'s colour and vivacity that just nails it. Admittedly, I didn't like Suga's rap, but that's the only part of the song I didn't like. The rest of it is upbeat, melodic, and perfect to scream in a car. Trust me, I've done it. It's great.
Admittedly, the lyrics aren't anything too special. They're standard pop song fare, all about being in love and how happy you are whilst in a relationship. RM's rap is admittedly the exception, because that has some downright gorgeous fucking lyrics that might be some of my favourite of the year so far. But yeah, the rest of it is fairly standard, but I'm not too bothered by it. For a song as casual and laid-back as this, the lyrics don't need to be overly complicated - they do their job perfectly fine. 👌
But your pain is my pain - when I realized that
I vowed to myself, with the wings of Icarus you gave me
Not toward the sun but toward you, let me fly
Of course, we have a dance practice to look at here, too. And since it's BTS we're dealing with, you KNOW it's going to at least be good.
While "Boy With Luv" certainly wasn't my favourite song when I first heard it, it's grown on me an AWFUL lot and I really do appreciate it now. Hell, I even managed to find and buy the album in a shop! A K-Pop album! In a shop! In Ireland! What timeline are we in?!
The best one, clearly. LET'S HAVE THIS BE A THING MORE OFTEN SO I DON'T HAVE TO PAY FOR SHIPPING ALL THE TIME THANK YOU.
TIFFANY YOUNG - LIPS ON LIPS
I want to like what Tiffany is doing, I really do. She's a great performer. She's got a unique voice, good dancing and a boatload of stage presence. But... goddamn, her music is not showing that. At all. My main problem with "Lips On Lips" is the fact that it's unoriginal. Now, of course songs are going to sound similar every now and again, but who decided it was a good idea to give Tiffany a clunky, autotune-ridden ripoff of Maroon 5's "Girls Like You"?! That is NOT a flattering concept for her. The autotune is so thick at some parts of the choruses that it sounds like she's off-tune. That's nooooot good. Whoever she's working with on her vocal production needs to fix that.
Hell, whoever she's working with on her production needs to fix what they're doing period. To say this song is blocky is an understatement. The melody is repetitive to a point where it starts to tire before the end of the song, and that's not a good thing coming from me. I can normally put up with the most repetitive of songs, whether it be in pop or K-Pop. But "Lips On Lips" just... overdoes it in that regard. It feels rushed, both in melody and production. The filtered, overly condensed violin plucks and completely unneeded trap snares and blaring synths do NOT help either.
Nothing about this song sounds balanced. It's like every element of the song is trying to compete to get your attention by being as loud and irritating as possible. It tries to come off as sweet and melodic, but it ends up being the exact opposite. It's grating. And just like how the melody was repetitive, the lyrics are too. I understand that that's normal for pop songs, but I think it's exacerbated by how repetitive that melody line is. They're pretty inoffensive on their own, but with that melody they become a pain to listen to.
Only one I choose, ride or die with you
Trust I speak the truth, darling, I get weak when you
Put your lips on my lips, when they're touching like this, no, they don't ever lie
I'm now at the point where I think I'm going to stop reviewing Tiffany's solo releases on this blog. At the time of writing, she's recently released "Magnetic Moon", and it's not much better. I'm sorry, Tiffany. I DESPERATELY want to like what she's doing, but she's just making all the wrong moves with her solo music so far. Unless she drastically improves, I won't be reviewing her music here in the future. Not if it's as bad as "Lips On Lips". Sorry.
KEY (키), SOYEON (소연) - I WANNA BE
People REALLY need to stop sleeping on Key's solo stuff. I feel like people only pay attention to him when he's a part of SHINee, and even then, I feel he gets overlooked. When he released his solo album "Face" last year, I had no clue it came out - so much so that I didn't even know that "I Wanna Be" was the title track from the repackage! I thought it was just a mini album or single!
And that's a crying shame, because this might just be one of my favourite songs of the year so far. If I had to describe "I Wanna Be" in one word, it's anthemic. This song has such a fantastic sense of presence and atmosphere to it, and that atmosphere is one of absolute joy. The instrumental is downright magical in places with those synths chords and snapping percussion beats, and it never clashes against the more dance-influenced choruses - or the drop. The drop in this song may feel a little out of place initially, but when that ending comes around, it is stunning. The way the drop layers over the instrumental and Key's adlibs is enough to give me chills - and that it does! "I Wanna Be" is the kind of song that took me so much by surprise when I first listened to it that I immediately listened to it again. It's THAT good. It's breezy, it's uplifting, and it's a very cheerful and enthusiastic punch to the gut. To say it took me by surprise is an understatement.
That goes without mentioning the performers themselves. As I've mentioned, Key is being slept on, and that applies to his skills as a performer as well as his music. He's got a very magnetic presence behind the microphone, and he really pulls you into what he's singing immediately. Then there's the fact that Soyeon is on this song, which... she doesn't need any explaining at this point. She's one of the best (if not the best) female idol rappers in K-Pop right now, she's got her own precedent. And she unsurprisingly kills it here too. Her rap section may be short, but it's effective and impactful regardless.
The lyrics, too, are a nice surprise. In case you aren't aware, this is the last song Key released before his military enlistment. When you take that into account, the lyrics are probably enough to make any long-term Shawol tear up a little - hell, I got a little misty-eyed reading them once that final drop kicked in! They've got a celebratory mood that's tinged with the sadness of parting from someone you care about - but they're celebratory because you know you'll eventually get to see them again. They're just as genuine as the song itself, and they're a breath of (very welcome) fresh air.
Think of me when you're feeling alone
Even before this song ends
Always inside your heart, I wanna be
Unfortunately, apart from some edited fancams, we don't really have a proper look into the choreography for this song. I've seen bits of it here and there, but not enough for me to give my full opinion on it. I don't feel like I'd be giving an opinion that's fair, since I kinda like to see the whole picture before commenting. Regardless, "I Wanna Be" is a goddamn fantastic song that deserves way more appreciation than what it got. I can bet right now this is going to be on my favourites list at the end of the year. It's brilliant, and I hope that we get music of this quality once Key returns, too. 😊
CHERRY BULLET (체리블렛) - Q&A
When I heard that Cherry Bullet's concept as such was going to be video game-based, I was worried. I wondered if it was going to be stereotypical, or if it was even going to catch my attention at all. I didn't want it to just be superficial - and y'know what, they fucking nailed it. "Q&A" suits this video game concept incredibly well, thanks to the electronic synths scattered throughout the instrumental, as well as some of the phasers and effects that are used throughout. It sounds very retro and gamey, for lack of a better word, and it's as if chiptune and tropical house had a baby. A very pleasing, delightful baby. Weird metaphors or no, the song is good. It's catchy, and WILL get stuck in your head, it's bright, it's uplifting, and it's cute without feeling over-the-top or cheesy. It just feels like a genuinely bright debut, full of potential and excitement.
And that's particularly apt with Cherry Bullet, since some of these girls have pipes. Seriously, they can SING - Bora and Haeyoon are the obvious standouts here. The melody in "Q&A" is very litled and hard to sing in places, and yet these girls sound like they could do in their sleep. Hitting high notes is one thing, but doing it well is a completely different can of worms. And yet, each of the members has a very distinctive sound to her voice that sets everyone apart, and while I feel like some of the rap sections could have been a bit better, the harmonies and vocals really do make up for it in my opinion. I bet these girls would be amazing live - I'd LOVE to see the energy they bring. Speaking of energy, the lyrics are full of the energy you'd expect from a debut like this one. They're very much about love whilst being playful and cheery, and they get the job done just fine.
I act like I'm not interested
I keep beating around the bush
I'm playing hard to get, it's how I play my love games
So everything's looking pretty damn good so far - what about the dance?
Cherry Bullet have so much potential, it's astounding. If FNC can keep it up and actually give these girls some proper momentum, we might have another big rookie girl group. And I really hope that's the case, because they deserve it! They really could become something great, and I have every faith that they will.
Hopefully they don't become TOO good though, because I stan way too many groups as it is. It's getting ridiculous at this point. Seriously. Cherry Bullet, I love you, and I want you to do well, but if I end up buying all your albums, then we'll have a problem. My wallet can't take much more at this point...
TAEYEON (태연) - FOUR SEASONS (사계)
"Four Seasons" is Taeyeon doing what Taeyeon does best - lyrically complex songs with a tinge of emotion that only she can really add. The instrumental is lavish and very unique, even if I do feel like the percussion line is a little overblown at times. It never overshadows Taeyeon's voice, which is a huge thing. If you overshadow the performer, that's a problem, and it's a problem "Four Seasons" thankfully never has. The muted guitar lines keep the pace steady as well, and the interchanging lyrics in the choruses keep the song feeling fresh and interesting. It's got a very interested, slightly stilted melody - it's paced very uniquely, and it makes the entire song very memorable and strangely catchy. The quality is high, and the memorability is high as a result.
The lyrics themselves are probably my favourite aspect of the song outside of Taeyeon herself, who gives a great performance as always. She's always so emotionally charged when she sings, I love it. But the lyrics here are referencing a breakup, and how tired and stale the now-ended relationship became. I love how they've got the slightest tinge of sarcasm and scorn to them in places, since it helps the song border on the edge of being a flippant kiss-off, and yet stops it before it crosses that border and allows for a bit more reflection and contemplation. They're deep, to put it lightly. And when they do have that scornful tinge to them, they're admittedly really entertaining! I kinda just want to see Taeyeon do a completely savage break-up song some time - I feel like she'd excel at it.
The four seasons come and go
I gave you my winter, I gave you my summer
You were my whole world, but I'm letting you go
Did I really love you?
While I may not like it as much as some of her other solo releases, "Four Seasons" is still a solid solo from Taeyeon that really shows her versatility. She's had a fair amount of success so far this year, and long may it last! She's one of the best in the business, and "Four Seasons" only serves to highlight her strengths.
TXT (투모로우바이투게더) - CROWN (어느날 머리에서 뿔이 자랐다)
At first, I really wasn't sure what to think of "Crown". The bouncy synths are certainly inviting upon a first listen, and the morse code certainly piqued my interest. Which, for the record, it spells out "CROWN" and I find that insanely adorable. Cryptic messages aside, the song's pretty standard fare for a boy group - you've got trap percussion in abundance, you've got the upbeat energy of a debut, and you've got a pretty nice progression with some of those synths and vocal samples. But at times, the song can end up feeling a little overcrowded, especially in the choruses. It's hard to know what to focus on because you've got so many elements overlapping at once. I'd certainly prefer listening to a song that's too busy rather than one that's undercooked, but it's just something I noticed.
But honestly, the song itself has grown on me. What hasn't grown on me is the lyrics. Now, I'm a particular fan of creepier concepts in K-Pop - hell, I'm a massive Insomnia. So to start reading the lyrics and have the hints at a possible tormented love story going on here? I was enthralled. I wanted to know where they were going to take this - would this be the unique little detail that would give TXT's debut a real spark? But nope. As soon as you reach the first chorus, we're back to being lovey dovey and talking about how the other person in the relationship makes having the pain of having a (metaphorical) horn on your head go away. I wasn't massively disappointed or anything, but I couldn't help but think about what could've been. There could've been something really damn unique and creative here, and I feel like the idea was just thrown out when the lyricists didn't want to put the work into fleshing it out. It's sad. But apart from that, the lyrics are fine. They're nothing too special, there's some nice imagery here and there, but they're just fine.
Dance-wise though, I went into this with VERY high expectations. It's BigHit, they're known for making very hard and complex dances. But "Crown" might have one of my new favourite routines - simply thanks to its creativity.
There are moves here which you will probably never see in another group's choreography. They're so goddamn unique and stylish, and one after the other they continued to blow me away. The position, the staggered movements of the members, the playing with levels, the formations... all of it is a fucking feast for the eyes. That's helped by the fact that all 5 members are superb dancers, which, again, is no surprise coming out of BigHit. Regardless, this is one of my favourite choreographies of the year, and I really hope TXT carries this high standard into the future when it comes to dance. This is amazing!
All in all, "Crown" was a good debut. It's certainly not a new favourite for me or anything like that, but it was a strong debut as a whole. Where they go in the future will be interesting, though, and it's something I intend to keep a close eye on. Regardless, hopefully the boys can overcome the myriad of bad luck and health problems they seem to be facing and successfully come back later this year - seeing a rookie group be so heavily affected by health concerns this early on is heartbreaking, whether you like them or not. Fingers crossed!
Are you my salvation who found me deserted
Are your wings [in] the same pain like me
There's a horn rising up on my head, but I love it
You become my crown
Dance-wise though, I went into this with VERY high expectations. It's BigHit, they're known for making very hard and complex dances. But "Crown" might have one of my new favourite routines - simply thanks to its creativity.
All in all, "Crown" was a good debut. It's certainly not a new favourite for me or anything like that, but it was a strong debut as a whole. Where they go in the future will be interesting, though, and it's something I intend to keep a close eye on. Regardless, hopefully the boys can overcome the myriad of bad luck and health problems they seem to be facing and successfully come back later this year - seeing a rookie group be so heavily affected by health concerns this early on is heartbreaking, whether you like them or not. Fingers crossed!
DIA (다이야) - WOOWA (우와)
If you've never listened to "Woowa" before - which I suspect many of you haven't, because this song is criminally underrated - SIT THE FUCK DOWN AND LISTEN UP. DIA are about to show you how to do 90s-inspired dance-pop.
First off, I feel like I need to highlight my favourite
I sure as hell wish the lyrics were as interesting as the song, though. They're standard girl group fare in every way possible - being uncontrollably in love with someone, and wanting them to actually say something and possibly kickstart a relationship. It's nothing you haven't heard 20 times before. It's just a shame, since the song itself is so explosive and full of potential. The lyrics very well could have been the same, and they just... aren't. Not to me, anyway. 😔
You don't have to do anything
You could just stand there
What else do I need?
I just want to look at you in front of me
And unfortunately... The dance isn't much better. Not by a long shot.
Now I'm possibly starting to see why this song got so overlooked - the lyrics and the dance are just... not very good, or interesting, for that matter. It's a major disappointment, especially when the song is THIS killer. MBK have always had a bit of a... rocky history, so to see such a good song pretty much wasted breaks my heart. Please, if you haven't heard this before, go listen to it. The elements surrounding the song may not be anything special, but the song itself? It's one of my favourites of the year so far. Let's hope MBK steps it up a bit for DIA's next comeback, because if they keep this sound, and improve the dance and lyrics? Pretty sure I'd lose my damn mind.
PARK BOM (박봄), SANDARA PARK (산다라박) - SPRING (봄)
Back in 2013, when I first discovered what K-Pop even was, 2NE1 were one of the first groups who really blew me away. "I Am The Best" was one of those videos that showed me that there was something for me, that there was a group and concept that I legitimately enjoyed and wanted to see more of. So I, like everyone else, cried a LOT when YG fucked them over. I'm still admittedly upset about it to this day, regardless of if BLACKPINK have begun to fill that 2NE1-shaped hole in my heart. It'll never quite be full, not with how 2NE1 ended.
But the members have tried to at least be active after they left YG - Minzy's solos have been... hit and miss, though. So when it was announced that Bom was finally going to be re-debuting solo under her new agency, and Dara was going to feature on the song, I was both elated and terrified. After the hate that Bom had received, and the "controversies" she'd been thrust into, her comeback was one I was worried about. Nobody had a clue how Korea was going to react. But y'know what? It went down really well - she nearly even won on a music show or two. And with a song like "Spring", I'm not necessarily surprised.
This song is an empowerment anthem at its finest - it's pretty simplistic, but in a way that comes across as elegant and beautiful. The tempo is slow, the instruments are organic, and the melodic swells are perfectly timed. It really does give off an essence of grandeur, which - for someone as experienced as Bom - is very well-fitting. But it's the lyrics that REALLY steal the show here. These lyrics hit home, mainly because I feel like they're touching on depression. And they touch on it a LOT. If you've experienced it, you'll know that from reading them straight away. They're incredibly sincere, especially given all the controversy and hot water Bom found herself in back in 2014. And yet, as depressed as these lyrics may be, there's a ray of hope permeating throughout them. And THAT is what makes me emotional. She may have basically been public enemy number one for a number of years in Korea - simply for trying to treat her own mental illness - but "Spring" shows us that she's finally ready to step back into the spotlight and prove everyone wrong. For a comeback song like this, they couldn't be any more fitting.
I feel like I am alone, tied to you
I think I'll be forgotten this way
The times when I'm awake, I'm suffering, always
Since this is a ballad, there's no real choreography to speak of here - it's more of a Mariah Carey-esque saunter about the stage. Which I'm okay with - a song like this is certainly befitting of that. To say "Spring" is a triumphant return for Bommie would... probably be the understatement of the century, let's be real. She's certainly come back with a bang, and I know for a fact every single Blackjack is right behind her, cheering her on. Long may this last, because getting to hear her voice again was a fucking delight. 😊
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ALL THE SOURCES FOR THE ENGLISH LYRICS I USED IN THIS REVIEW:
